Baroque to Broadway is an agreeable offering at the third in the new concert series at the Whirlow Spirituality Centre’s Chapel of the Holy Spirit this coming Friday (30th of June).
It features soprano Chloe Saywell, whom you may have encountered with Opera on Location among other things and has a particular partiality for English art song – reflected in the concert!
With her are trumpet/ flugelhorn player Matthew Redfearn, now freelance after 12 years as director of music at Ecclesall Parish Church; and pianist Stephanie Pitts, in the past a busy repetiteur and occasional recital accompanist, now Head of Music at Sheffield University.
Proceedings begin with two arias from Handel’s cantata Apollo and Daphne, Ardi adori – in which she tells Apollo that he desires, adores and beseeches her in vain; and Come in ciel – when she tells him, as Neptune calms the stormy ocean waves, so he should restrain his love.
Thomas Morley (strictly, pre-Baroque) follows with two songs, Thyrsis and Milla and the more familiar It was a Lover and his Lass – “hey, ding, a ding, a ding!”
We move considerably forward in time to Cecilia McDowall (b1951) for a trumpet/ piano piece, A Choir of Angels, although you could say, stay back at the same time! “The Baroque brilliance of A Choir of Angels,” is publisher Boosey & Hawkes’ description of it.
Two frequently encountered Mozart songs are then heard, most regularly, Das Veilchen – The Violet (actually, it concerns a rose!), and Der Zauberer – The Magician.
After which, we move forward permanently to the 20th century, initially to hear three of Gerald Finzi‘s Five Bagatelles for clarinet and piano played as transcriptions on the flugelhorn: Prelude, Forlana and Fughetta – No’s 1, 4 and 5.
Two songs by Roger Quilter, Now Sleeps the Crimson Petal and Love’s Philosophy, precede a rather lovely, lesser-known song by John Ireland, If There Were Dreams To Sell, before moving right up to date with Chris Noble: Spring Song in Winter.
Yes, it is the Platform 4 composer! and we remain in the present for Redfearn: If Only, a piece by Matthew Redfearn himself and indulges in composing when he has the time, before three pieces by Leonard Bernstein, all for trumpet and piano:
Rondo for Lifey – Lifey being the name of Judy Holiday’s dog; Lucky To Be Me, an instrumental version of the song in composer’s musical On the Town; and Red, White and Blues, a heavily blues-influenced piece.
Little needs to be said about the two final items, Jerome Kern’s Smoke Gets in Your Eyes and Cole Porter’s Night and Day, except all three musicians come together for the latter.